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<title>Trance Europe Film</title>
<link>http://transeuropefilm.com/</link>
<description>Site news</description>
<lastBuildDate>Thu, 31 Mar 2011 15:10:30 GMT</lastBuildDate>
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<item>
<title>End of the Rainbow</title>
<description><![CDATA[End of the Rainbow explores the human dimensions of industrial gold mining in two remote locations. As the mine's structures and equipment are dismantled in Kalimantan, Indonesian Borneo, then transported and reconstructed to begin gold processing in Guinea, West Africa, what unfolds is an elegiac portrait of the changes brought by the mine and of the universal human desire for a better life. Written by Robert Nugent]]></description>
<link>http://transeuropefilm.com/news/2011-03-31-1</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-31-1</guid>
<pubDate>Thu, 31 Mar 2011 15:10:30 GMT</pubDate>
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<item>
<title>Alice au pays des cafards</title>
<description><![CDATA[A film by Jean-Pierre Gibrat recently co-produced by Trans Europe Film, ARTE France and CNRS Images & Media entitled "Alice in cockroaches" highlighted the results of research of the European project LURE whose aim was the creation and management a society composed of both animals and robots. EPFL participated in this project with two units: the Swarm-Intelligent Systems Group (SWIS) and the Autonomous Systems Laboratory (ISL). SWIS group has contributed to the project by developing aspects of multilevel modeling, as well as the monitoring tool based on vision SwisTrack . The LSA has developed robots used in this study.]]></description>
<link>http://transeuropefilm.com/news/alice_au_pays_des_cafards/2011-03-30-2</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-30-2</guid>
<pubDate>Wed, 30 Mar 2011 15:18:49 GMT</pubDate>
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<item>
<title>Entre les deux, la vie</title>
<description><![CDATA[Body and nine, smooth and wrinkled at a time. Dazzled by the light, burned by the power of the first breath. The child is born. Corps old, wrinkled by time and the writing life. Suspended a wind that cleared the old man will die. "

The issue of birth as that of death is present in the photographic work of Valerie Winckler. She presents here a film that juxtaposes these two moments of transition, these strong and violent end of life.]]></description>
<link>http://transeuropefilm.com/news/entre_les_deux_la_vie/2011-03-29-3</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-29-3</guid>
<pubDate>Tue, 29 Mar 2011 15:22:07 GMT</pubDate>
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<item>
<title>La terre des peaux rouges</title>
<description><![CDATA[In the sixteenth century, the first missionaries settled in eastern North America, forged friendly relations with the Hurons and Algonquins. Then with the arrival of trappers and soldiers, many tribes took fright and fled. But the European offensive began in earnest in the seventeenth century. Whites land ownership on the grounds that the Indians did not cultivate. Wars and epidemics decimated the Indians ... Paintings, sketches and drawings of the sixteenth and nineteenth centuries show the thrill of conquest, the desolation of battles.
This documentary, while not ignoring the bloodshed, says the cultural destruction. For Indians, the soil is made from the dust of bones, flesh and blood of ancestors. The arrival of whites, with their firearms and their ownership concept, breaks this harmony with nature. But it also inaugurated an unprecedented experience of confrontation between cultures and reflection on the other.
The film ends on a plan of the Black Hills, sacred mountains, deserted by the spirits, leaving room for portraits of U.S. presidents carved into the rock ... The genocide of American Indians who, four centuries, rose from 7 million to $ 400 000, doubles as ethnocide.]]></description>
<link>http://transeuropefilm.com/news/la_terre_des_peaux_rouges/2011-03-28-4</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-28-4</guid>
<pubDate>Mon, 28 Mar 2011 15:22:37 GMT</pubDate>
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<item>
<title>L&apos;empire des nombres</title>
<description><![CDATA[One day, rather than drawing four bison, a primitive artist has done one with four strokes ... This conceptualisation has to pass the "number of buffalo" in the "number" for short. Consequently, men had to learn to conserve numbers.
Many cultures have developed complex digital mapping equipment, accompanied by gestures grammars whose fingers were the main actors. It is impossible to overstate what has been given the use of paper, and then the ten signs with 0. Since then, the empire of numbers has been expanding, colonizing human life.
Philippe Truffault traces the history of this empire and visually entertaining. Compound based on the book by Denis Guedj, the film allows us to materialize the development of our mathematical thinking. The concrete examples, sometimes iconoclastic, succeed to express throughout the documentary, in short sequences and striking, changes in numbers. A descriptive comment and perfectly complements a visual explicit concern for the scientific truth.]]></description>
<link>http://transeuropefilm.com/news/l_empire_des_nombres/2011-03-27-6</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-27-6</guid>
<pubDate>Sun, 27 Mar 2011 15:24:17 GMT</pubDate>
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<item>
<title>Une bête sur la lune</title>
<description><![CDATA[Armenian genocide survivor, Aram wants to rebuild his life torn apart by founding a family. It is in America and chose to photograph a bride, Armenian as well. Torn between the heavy memories of the past and hope this dun where unborn children would fill the holes left in the family photo with the killing of his parents, brothers and sisters, Aram stands tall. But Seta, his young wife, is barren. Collapsing while the dreams of revival.

The play is based on everyday situations, dialogues from the concrete to a slow painful journey into personal and collective tragedy. It never does in the dark pathos, evacuates the false good feeling to truly artistic work. It leaves it to each individual daiguiser critical thinking, without drawing the viewer into a superficial anger or emotion junk. It presents some snapshots dune life flashback memories of the narrator, poignant testimony where the humor flows as free range and the generosity of actors is gift of flesh and soul.]]></description>
<link>http://transeuropefilm.com/news/une_bete_sur_la_lune/2011-03-27-5</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-27-5</guid>
<pubDate>Sun, 27 Mar 2011 15:23:20 GMT</pubDate>
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<item>
<title>Tutu</title>
<description><![CDATA[Tutu, a small boy with a bowl-cut for lice, lives in a neighborhood of Paris. Although scorned by her, who always locks in the closet for a yes or a no, traveling in its own way in his head. He loves Mémène,
the granddaughter of the big keeper, and will do everything to seduce her until he lost a hand. TUTU but not discouraged,
he sows a seed in his stump and a plant grows. He has two hands again. However, everyone makes fun of him
Mémène same. disgusted, TUTU fugue and ends up on a beach. There, he saves the swimmers during an attack by wasps and he becomes a hero.
But it does not last. He finds himself alone at the water's edge. And then he cracks ...]]></description>
<link>http://transeuropefilm.com/news/tutu/2011-03-26-7</link>
<category>Animation</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-26-7</guid>
<pubDate>Sat, 26 Mar 2011 16:25:00 GMT</pubDate>
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<item>
<title>De Gaulle - Churchill: Mémoires de guerre</title>
<description><![CDATA[1950, 1952, 1954. Each year, for the anniversary of the speach of the 18th of June 1940, De Gaulle goes to the mont Valérien. Each year older, each year lonelier.
1948, 1950, 1952.]]></description>
<link>http://transeuropefilm.com/news/de_gaulle_churchill_memoires_de_guerre/2011-03-25-9</link>
<category>Documentary</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-25-9</guid>
<pubDate>Fri, 25 Mar 2011 16:07:57 GMT</pubDate>
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<item>
<title>Kirikou et la sorcière</title>
<description><![CDATA[In a little village somewhere in Africa, a boy named Kirikou is born. But he's not a normal boy, because he knows what he wants very well. Also he already can speak and walk. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except of one. Hence little Kirikou decides, he will accompany the last warrior to the sorceress. Due to his intrepidity he may be the last hope of the village]]></description>
<link>http://transeuropefilm.com/news/kirikou_et_la_sorciere/2011-03-24-10</link>
<category>Animation</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-24-10</guid>
<pubDate>Thu, 24 Mar 2011 16:27:19 GMT</pubDate>
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<title>La vieille dame et les pigeons</title>
<description><![CDATA[A starving gendarme, wasting away from hunger, is reduced to grabbing castoff snacks from fat American tourists. When he sees as old woman feeding pigeons, in desperation he hits on the bizarre idea of dressing up as one, replete with grotesque, oversized head, and passing himself off as one of them! She seems not to notice that he's a bit larger than her other birds - and it gets odder when he invites himself into her flat and gestures for her to make a meal for him. As the weeks pass, he gets fatter and fatter, and as he slips into his delusion, he starts believing he IS a pigeon. One day, he follows her to the kitchen, where he is shocked to discover that her real pet is another woman - dressed up as a cat! Then he realises she's just been fattening him up as a treat for the cat...]]></description>
<link>http://transeuropefilm.com/news/la_vieille_dame_et_les_pigeons/2011-03-23-11</link>
<category>Animation</category>
<dc:creator>admin</dc:creator>
<guid>http://transeuropefilm.com/news/2011-03-23-11</guid>
<pubDate>Wed, 23 Mar 2011 16:31:13 GMT</pubDate>
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